Whether or not these bids will be successful remains to be seen but, whatever the case, there are few better places to take the children on a wet afternoon during the school holidays than this cultural oasis.
It’s half-term and, predictably, it’s raining – so which venues do parents fall back on to keep their youngsters entertained?
Libraries and museums, of course.
Where would we be without the themed craft workshops for kids while mum and dad enjoy a cappuccino and five minutes’ peace and quiet?
We are blessed in Stoke-on-Trent with a number of terrific venues which have helped to entertain us for generations.
Chief among them is the Potteries Museum and Art Gallery, which was opened in its present form on June 3, 1981, by His Royal Highness The Prince of Wales.
Prince Charles reacquainted himself with the Bethesda Street venue in February 2010 when he returned for a sneak preview of items from the Staffordshire Hoard, which were due to go on show to the public days later.
Originally known as the City Museum and Art Gallery, the building was first officially opened by Alderman Horace Barks in October 1956 on the site of the former Bell Pottery Works.
Phase two of the project – the enlarged venue given a Royal seal of approval – involved the creation of a far more impressive piece of architecture than its 1950s predecessor.
As a nod to the many brickworks which had been dotted across the Potteries, bricks were extensively used in the project.
The focal point, of course, is the long relief above the entrance – made from more than 6,000 specially-shaped bricks – which depicts the industrial heritage of Stoke-on-Trent.
Images include kilns and potters at work, miners and a pithead, a horse and cart carrying coal, as well as canal boats.
A year after it opened the venue was awarded the title Museum of the Year – around about the time yours truly first set foot in the place.
When growing up I was fascinated by the natural history section (the stuffed animals in particular), the recreation of a Victorian street, the medieval burial casket from Hulton Abbey and, of course, the city’s Spitfire.
When the museum first opened the then Evening Sentinel carried a weekly Museum Pieces feature which included a photograph of an artefact from the museum’s extensive collections along with a story explaining the significance of the item.
The purpose was to highlight forthcoming exhibitions but, more importantly, showcase some of the thousands of artefacts – the bulk of which, at the time, were pottery ware.
There simply wasn’t the space to display everything and so these articles were a little window into the unseen world of the museum’s archives.
Over the years the Potteries Museum and Art Gallery, as it is now known, has gained a reputation for more than simply a world-renowned collection of ceramics.
In RW 388, it boasts a Spitfire which is 85 per cent the original aircraft that rolled off the production line almost 70 years ago.
In the Staffordshire Hoard, it owns one of the most important archaeological finds ever in the UK.
Of course, for tourists, the unrivalled pottery collection remains a huge draw.
The city council is currently working on various bids for funding to enhance and transform the museum into a more interactive, more modern attraction which makes the most of its most prized assets.
Don’t miss 12 pages of nostlagia in the Weekend Sentinel every Saturday